The listings here are for a single Composer. For a recording that contains more than one composer please look under the Conductor recital section.
| Adam: Giselle ballet: Cond. Martinon & Conservatoire Orch | S | LONDON CS 6098 | ENG | A- | 20 | EM2 |
| Adam: Giselle ballet: Cond. Martinon & Conservatoire Orch - early grooved label | S | DECCA SDD 125 | ENG | A- | 12 | |
| Adam: Giselle: Cond. Bonynge & Monte Carlo OpO | S | LONDON CSA 2226 | ENG | A | 20 | |
| Adam: Le Diable a Quatre: Cond. Bonynge & London S.O. | S | LONDON CS 6454 | ENG | A | 10 | |
| Auber: Marco Spada: Cond. Bonynge & London SO, 1W stampers | S | LONDON CS 6923 | ENG | A | 10 | EM7 |
| Berlioz: 5 Overtures: Cond. Gibson & Scottish Nat. Orch. | D | CHANDOS ABRD 1067 | GER | A | 10 | |
| Berlioz: Sym Fantastique: Cond. Maazel & Berlin RSO rec live in 1961 | S | LONGANESI GCL 18 | ITA | A+ | 12 | |
| Berlioz: Symphonie Fantastique: Cond. Barenboim & Orch de Paris | S | DGG 2531 092 | GER | A | 10 | |
| Berlioz: Symphonie Fantastique: Cond. Karajan & Belin PO | S | DGG 2530 597 | GER | A | 8 | GY9 |
| Berlioz: Symphonie Fantastique: Cond. Ozawa & Boston SO - gatefold jacket | S | DGG 2530 358 | GER | A | 10 | GT2 |
| Berlioz: Symphonie Fantastique: Cond. Weingartner & London SO - rec 1925 - insert incl. | M | PAST MASTERS PM 20 | USA | A | 20 | |
| Berwald: Sin singuilere, Sym in E flat: Cond. Ehrling & London SO, | S | LONDON CS 6602 | ENG | A | 10 | |
| Bizet: Sym in C, Patrie Ov, Perth Suite: Cond. Barenboim & Orch de Paris | S | EMI ASD 3277 | ENG | A | 15 | ER3 |
| Bizet: Symphony in C Maj, Jeux d'Enfants, La Jolie Fille de Perth- suite: Cond. Ansermet & Suisse Romande Orch | S | DECCA SDD 231 | ENG | A- | 12 | |
| Brahms: Academic Festival Ov, Variations on a theme of Haydn, Tragic Ov, Rhapsody for Alto with Bernadette Greevy: Cond. Loughran & Halle Orch & Choir - times written on back | S | EMI CFP 40064 | ENG | A | 10 | |
| Brahms: Sym 1-4: Cond. Furtwangler & Berlin PO & Vienna PO - bend to front of box | M | EMI 1C 147 50336 | GER | A/A- | 40 | |
| Brahms: Sym 1: Cond. Boult & London PO - a "two Christophers" recording | S | EMI ASD 2871 | ENG | A | 12 | ER3 |
| Brahms: Sym 1: Cond. Furtwangler & Berlin PO, rec 1952 | M | DGG 2535 162 | GER | A | 20 | |
| Brahms: Sym 1: Cond. H. Arthur Brown & The Austian Sym Orch | M | REMINGTON R 199 5 | USA | A | 10 | |
| Brahms: Sym 1: Cond. Loughran & Halle Orch & Choir - times written on back | S | EMI CFP 40084 | ENG | A | 10 | |
| Brahms: Sym 1: Cond. Mengelberg & Concertgebouw Orch of Amsterdam | M | FONTANA SFON 10600 | JAP | A- | 10 | |
| Brahms: Sym 1: Cond. Mengelberg & Concertgebouw Orch of Amsterdam | M | FONTANA FCM 10 | JAP | A | 12 | |
| Brahms: Sym 1: Cond. Ozawa & Boston SO | S | DGG 2530 889 | GER | A | 8 | |
| Brahms: Sym 1: Cond. Walter & New York PO | M | COLUMBIA ML 5124 | USA | A | 10 | |
| Brahms: Sym 2, Tragic Overture: Cond. Klemperer & Phil Orch. | S | EMI ASD 2706 | ENG | A | 20 | ER2 |
| Brahms: Sym 2: Cond. Damrosch & The New York SO - rec 1926 - insert incl. | M | PAST MASTERS PM 19 | USA | A- | 25 | |
| Brahms: Sym 2: Cond. Furtwangler & London Phil | M | LONDON B 19020 | USA | A- | 10 | |
| Brahms: Sym 2: Cond. Hans Wolf & The Austrian Sym. Orch | M | REMINGTON R 199 19 | USA | A | 10 | |
| Brahms: Sym 2: Cond. Mengelberg & Berlin PO - rec April 9, 1940 | M | TELEFUNKEN TH 97005 | USA | A- | 8 | |
| Brahms: Sym 2: Cond. Mengelberg & Concertgebouw Orch of Amsterdam | M | TELEFUNKEN MZ 5103 | JAP | A+ | 15 | |
| Brahms: Sym 2: Cond. Mengelberg & Concertgebouw Orch of Amsterdam | M | TELEFUNKEN MZ 5103 | JAP | A | 10 | |
| Brahms: Sym 2: Cond. Monteux & Vienna P.O. | S | RCA VICS 1055 | CAN | A | 5 | CM1 |
| Brahms: Sym 2: Cond. Toscanini & N.B.C. Symphony Orch. | M | EMI ALP 1013 | ENG | A | 40 | ER1 |
| Brahms: Sym 3, Haydn Vars: Cond. Kertez & Vienna PO, his last recording, W stampers | S | LONDON CS 6837 | ENG | A | 10 | ER7 |
| Brahms: Sym 3, Tragic Overture: Cond. Karajan & Berlin PO | S | DGG 2531 133 | GER | A | 8 | |
| Brahms: Sym 3: Cond. Furtwängler & Berlin PO, rec 1954 | M | DGG 2535 163 | GER | A- | 10 | |
| Brahms: Sym 4 with Berlin PO, Hungarian Dances 1, 2, 3 with Vienna PO: Cond. Furtwangler | M | UNICORN WFS 1 | ENG | A | 18 | |
| Brahms: Sym 4: Cond. Loughran & Halle Orch & Choir - times written on back | S | EMI CFP 40084 | ENG | A | 10 | |
| Brahms: Sym 4: Cond. Mengelberg & Berlin PO - rec November 30, 1938 | M | TELEFUNKEN TH 97010 | USA | A- | 12 | |
| Brahms: Sym 4: Cond. Mengelberg & Concertgebouw Orch of Amsterdam | M | TELEFUNKEN MZ 5104 | JAP | A | 15 | |
| Brahms: Sym 4: Cond. Mengelberg & Concertgebouw Orch of Amsterdam - rec 1938 - insert incl., some writing on cover | M | PAST MASTERS PM 5 | USA | A- | 20 | |
| Brahms: Sym 4: Cond. Mengelberg & Concertgebouw Orch of Amsterdam - rec Nov 30, 1938 - insert incl. | M | MACK 005 | USA | S | 20 | |
| Brahms: Sym's Complete, Tragic Overture, Variations on a Theme of Haydn: Cond. Toscanini & The Philharmonia Orch | M | A TOSCANINI ATS 1030/33 | USA | A | 60 | |
| Brahms: Sym. 4: Cond. Kertez & Vienna Phil - jacket a bit worn | S | DECCA JB 85 | ENG | A | 10 | |
| Bruckner: Sym 0: Cond. Barenboim & Chicago SO | S | DGG 2531 319 | GER | A | 8 | |
| Bruckner: Sym 1: Cond. Abbado & Vienna PO, 1W stampers | S | LONDON CS 6706 | ENG | A- | 10 | ER7 |
| Bruckner: Sym 1: Cond. Jochum & Berlin PO - tulip label | S | DGG SLPM 139 131 | GER | A- | 12 | GY7 |
| Bruckner: Sym 1: Cond. Wand & Cologne RSO - gatefold | S | HARMONIA MUNDI 1C 065 99 938 | GER | A | 12 | |
| Bruckner: Sym 2: Cond. Haitink & Concertgebouw Orch - sticker on front | S | PHILIPS 802 912 LY | HOL | A | 8 | |
| Bruckner: Sym 2: Cond. Jochum & Berlin PO - tulip | S | DGG SLPM 139 132 | GER | A- | 12 | GY7 |
| Bruckner: Sym 2: Cond. Jochum & Staatskapelle Dresden - ASD-4081 | S | EMI 1C 063 43 097 | GER | A | 20 | |
| Bruckner: Sym 3: Cond. Haitink & Concertgebouw Orch - thick lettering, plum label | S | PHILIPS 835 217 AY | HOL | A | 12 | |
| Bruckner: Sym 3: Cond. Jochum & Bavarian R.S.O. - tulip label | S | DGG SLPM 139 133 | GER | A- | 12 | GY7 |
| Bruckner: Sym 3: Cond. Jochum & Bavarian R.S.O. - tulip label | S | DGG SLPM 139 133 | GER | B+ | 8 | GY7 |
| Bruckner: Sym 4: Cond. Barenboim & Chicago SO | S | DGG 2530 336 | GER | A | 8 | GT2 |
| Bruckner: Sym 4: Cond. Haitink & Concertgebouw Orch - hole in jacket | S | PHILIPS 835 385 LY | HOL | A | 8 | |
| Bruckner: Sym 4: Cond. Kertesz & London S.O. | S | LONDON STS 15289 | ENG | A | 7 | |
| Bruckner: Sym 5: Cond. Wand & Cologne RSO - bend at URH corner, light wear to gatefold jacket | S | HARMONIA MUNDI 1C 553 99 670/1 | GER | A | 20 | |
| Bruckner: Sym 6: Cond. Barenboim & Chicago SO | S | DGG 2531 043 | GER | S | 8 | |
| Bruckner: Sym 6: Cond. Haitink & Concertgebouw Orch - sticker on front and back | S | PHILIPS 6500 164 | HOL | A | 8 | |
| Bruckner: Sym 6: Cond. Jochum & Bavarian R.S.O - tulip label | S | DGG SLPM 139 136 | GER | A | 12 | GY7 |
| Bruckner: Sym 6: Cond. Jochum & Bavarian R.S.O, Probably a tulip label, will open if purchaser requests | S | DGG SLPM 139 136 | GER | S | 20 | GY7 |
| Bruckner: Sym 6: Cond. Solti & Chicago SO, hole in jacket | S | LONDON CS 7173 | HOL | A- | 6 | HR1 |
| Bruckner: Sym 6: Cond. Stein & Vienna PO, 1W stampers | S | LONDON CS 6880 | ENG | A | 8 | ER7 |
| Bruckner: Sym 7: Cond. Furtwängler & Berlin PO, rec 1951 | M | DGG 2535 161 | GER | A | 15 | |
| Bruckner: Sym 8: Cond. Furtwangler & Berlin PO | E | ELECTROLA SMVP 8057/8 | GER | A- | 20 | |
| Bruckner: Sym 8: Cond. Furtwangler & Vienna PO, rec 1943 | M | UNICORN UNI 109 | ENG | A/A- | 24 | |
| Bruckner: Sym 8: Cond. Jochum & Berlin PO - tulip | S | DGG SLPM 138 918/9 | GER | A | 24 | GY7 |
| Bruckner: Sym 8: Cond. Jochum & BPO, tulip label | S | DGG 2707 017 | GER | A/A- | 25 | GY7 |
| Bruckner: Sym 9, original version: Cond. Siegmund von Haussegger - rec 1938, insert incl. | M | PAST MASTERS PM 13 | USA | A- | 12 | |
| Bruckner: Sym 9: Cond. Furtwangler & Berlin PO, rec 1944 | M | HELIODOR 88 019 | GER | A | 20 | |
| Bruckner: Sym 9: Cond. Giulini & Chicago SO | S | EMI ASD 3382 | ENG | A | 20 | ER3 |
| Bruckner: Sym 9: Cond. Karajan & Berlin PO - white "sample copy" label | S | DGG 2530 828 | GER | A | 10 | |
| Burgmüller: La Peri: Cond. Bonynge & London SO, 1W stampers, no insert | S | LONDON CS 6627 | ENG | A- | 8 | EM7 |
| D'Indy: Jour d'ete, Foret enchantee, Tableaux de voyage: Cond. Dervaux & Loire PO | S | EMI 2C 069 16301 | FRE | A | 10 | |
| Dukas: Polyeucte, La Peri, L'Apprenti: Cond. Martinon & ORTF - times written inside jacket | S | ERATO STU 70699 | FRE | A | 10 | |
| Dvorak: All Works for Solo Instuments & Orch: Ricci - Violin, Firkusny - Piano, Nelsova - Cello: Cond. Susskind & Saint Louis SO - surface markings due to poor paper sleeves, probably never played, insert incl. | S | VOX QSVBX 5135 | USA | A- | 24 | |
| Dvorak: Legends: Cond. Kubelik & English ChO | S | DGG 2530 786 | GER | A | 10 | |
| Dvorak: Legends: Cond. Leppard & London PO | S | PHILIPS 6500 188 | HOL | A | 6 | |
| Dvorak: Serenade Op.22: Cond. Kubelik & Israel PO | S | LONDON STS 15037 | ENG | A | 12 | |
| Dvorak: Slvaonic Dances Op.46: Cond. Dorati & Bamberg Sym | S | TURNABOUT QTV-S 34582 | USA | A | 10 | |
| Dvorak: Slvaonic Dances Op.72: Cond. Dorati & Bamberg Sym | S | TURNABOUT QTV-S 34583 | USA | A | 10 | |
| Dvorak: Sym 4, Overture: In Natures Realm: Cond. Kertez & London SO - jacket a bit worn | S | DECCA JB 113 | HOL | A | 8 | |
| Dvorak: Sym 6: Cond Kubelik & Berlin PO - hole in jacket | S | DGG 2530 425 | GER | A | 10 | |
| Dvorak: Sym 7: Cond. Giulini & London PO - a "two Christophers" recording | S | EMI ASD 3325 | ENG | A- | 10 | ER3 |
| Dvorak: Sym 7: Cond. Kertez & London SO | S | LONDON CS 6402 | ENG | A- | 8 | EM7 |
| Dvorak: Sym 7: Cond. Kubelik & Berlin PO - writing on back | S | DGG 2530 127 | GER | A | 10 | |
| Dvorak: Sym 8, Carnival Overture: Cond. Silvestri & London PO - times written on back | S | EMI CFP 40075 | ENG | A | 10 | |
| Dvorak: Sym 8, Scherzo Cap: Cond. Kertez & London SO - earlier ffrr | S | LONDON CS 6358 | ENG | A- | 8 | EM6 |
| Dvorak: Sym 8: Cond. Munch & Boston SO | S | RCA LSC 2629 | USA | A | 10 | UE2 |
| Dvorak: Sym 9 & Carnival Overture: Cond. Sawallisch & Philharmonia Orch. | S | EMI CFP 104 | ENG | A | 10 | |
| Dvorak: Sym 9 , Carnival Overture: Cond. Ozawa & San Francisco Sym Orch | S | PHILIPS 9500 001 | HOL | A | 6 | |
| Dvorak: Sym 9: Cond. Mengelberg & Concertgebouw Amsterdam, private release | M | PRIVATE M 1001 | USA | A | 20 | |
| Dvorak: Sym 9: Cond. Mengelberg & Concertgebouw Orch of Amsterdam - rec April 1941 - insert incl. | M | MACK 002 | USA | A- | 20 | |
| Dvorak: Sym 9: Cond. Reiner & Chicago SO | S | RCA LSC 2214 | USA | A | 10 | UE2 |
| Dvorak: Symphonic Poems: Cond Kubelik & Bavarian RSO | S | DGG 2530 712 | GER | A | 10 | |
| Franck: Psyche: Cond. Straus & Leige SO & Chorus of the Belgian Radio - text incl | S | EMI ASD 3164 | ENG | A+ | 15 | ER3 |
| Franck: Sym in D min: Cond. Beecham & French NRSO | S | EMI SXLP 30256 | ENG | A+ | 10 | ER2 |
| Franck: Sym in D min: Cond. Furtwangler & Vienna PO, very rare!! | M | DECCA ACL 179 | ENG | A- | 75 | |
| Franck: Sym in D min: Cond. Mengelberg & Concertgebouw Orch of Amsterdam | M | TELEFUNKEN MZ 5105 | JAP | A+ | 15 | |
| Franck: Sym in D min: Cond. Mengelberg & Concertgebouw Orch of Amsterdam | M | TELEFUNKEN MZ 5105 | JAP | A | 10 | |
| Franck: Sym in D min: Cond. Mengelberg & Concertgebouw Orch of Amsterdam - rec 1940; Symphonic Variations: Gieseking : Cond. Sir Henry Wood & London Phil - rec 1932 - insert incl. | M | PAST MASTERS PM 34 | USA | A- | 25 | |
| Glazounov: Violin Con - Ricci: Cond. Peters & Phil Hungarica, Piano Con - Ponti: Cond. Landau & Westphalian SO | S | TURNABOUT QTV-S 34621 | USA | A | 12 | |
| Glazunov: The King of the Jews: Cond. S.Köhler & Stuttgart Phil - world premiere recording 1978 | S | TURNABOUT QTV 34739 | USA | A- | 10 | |
| Greig: Works for Orchestra Vol.1: Cond. Abravenal & Utah Sym - insert incl. | S | VOX QSVBX 5140 | USA | A- | 21 | |
| Grieg: Holberg Suite, Sigurd Jorsalfar Suite, Lyric Suite: Cond. Leppard & ECO | S | PHILIPS 9500 748 | HOL | A | 6 | |
| Grieg: Peer Gynt: Cond. Beecham & Royal PO & Beecham Choral Society with Ilse Hollweg | S | EMI ASD 258 | ENG | A | 10 | ER3 |
| Grieg: Peer Gynt: Cond. Beecham & Royal PO & Beecham Choral Society with Ilse Hollweg - jacket has tape, printing and wear | S | EMI ASD 258 | ENG | B+ | 20 | EW1 |
| Holst: Planets: Cond. Susskind & St. Louis SO - light ring wear to cover | S | TURNABOUT QTV-S 34598 | USA | A- | 8 | |
| Kalinnikov: Sym 1: Cond. Rachlin & State Radio Orch. of the USSR - Rec 1952 | M | WESTMINSTER WL 5136 | USA | A | 20 | |
| Kalinnikov: Sym 2: Cond. Rachlin & National Radio Orchestra | M | PERIOD RE SPL 566 | USA | A | 10 | |
| Lalo: Namouna (Ballet Suites): Cond. Froment & Luxembourg Radio Orch - times written on back | S | TURNABOUT QTV 34724 | USA | A- | 8 | |
| Lalo: Works for Solo Inst. & Orch: Cello Con, Piano Con, Violin Con etc: Ricci, Varga, Dosse: Various Cond. & Orch's - insert incl. | S | VOX QSVBX 5150 | USA | A- | 24 | |
| Liszt: Hungarian Rhapsodies: Cond. Mehta & Isreal PO | D | CBS 1P 7937 | USA | A | 10 | |
| Liszt: The Battle of the Huns, Mazeppa, Orpheus: Cond. Mehta & Los Angeles PO | S | LONDON CS 6738 | ENG | A | 10 | EM7 |
| MacDowell, Edward: Indian Suite 2, Piano Con 2 - List- piano: cond. Landau & Westphalian SO | S | TURNABOUT TV-S 34535 | USA | A/A- | 10 | |
| Mahler: Sym 1: Cond. Kletzki & Vienna Phil Orch | S | EMI CFP 138 | ENG | A- | 7 | |
| Mahler: Sym 10: Completed by Cooke: Cond. Rattle & Bournemouth S.O.- no insert | D | EMI SLS 5206 | ENG | A | 10 | |
| Mahler: Sym 2: Harper, Watts: Cond. Solti & LSO | S | LONDON CSA 2217 | ENG | A | 20 | |
| Mahler: Sym 3: Norman: Cond. Abbado & Wiener Phil. | D | DGG 2741 010 | GER | A | 10 | |
| Mahler: Sym 3: Watts: Cond. Solti & LSO | S | LONDON CSA 2223 | ENG | A | 20 | |
| Mahler: Sym 4 with Jo Vincent: Cond. Mengelberg & Concertgebouw Orch of Amsterdam | M | FONTANA SFON 10598 | JAP | A- | 12 | |
| Mahler: Sym 4 with Sylvia Stahlman: Cond. Solti & Concertgebouw Orch of Amsterdam, jacket worn | S | LONDON CS 6781 | ENG | A | 10 | ER7 |
| Mahler: Sym 4: cond. Horenstein & Lonon PO with M. Price - times wtitten on back | S | EMI CFP 159 | ENG | A | 10 | |
| Mahler: Sym 4: Jo Vincent: Cond. Mengelberg & Concertgebouw Orch | M | TURNABOUT TV 4425 | USA | A | 12 | |
| Mahler: Sym 4: Jo Vincent: Cond. Mengelberg & Concertgebouw Orch | M | TURNABOUT TV 4425 | USA | A- | 10 | |
| Mahler: Sym 4: Jo Vincent: Cond. Mengelberg & Concertgebouw Orch - Turnabout jacket, but Philips pressing | M | PHILIPS PHM 500-040 | USA | A-/B+ | 8 | |
| Mahler: Sym 5, Kindertotenlieder: Ludwig: Cond. Karajan & BPO | S | DGG 2707 081 | GER | A | 10 | |
| Mahler: Sym 5: 4 Songs from Des Wunderhorn: Minton: Cond. Solti & Chicago SO | S | LONDON CSA 2228 | ENG | A | 15 | |
| Mahler: Sym 6: Cond. Karajan & BPO | S | DGG 2707 106 | GER | A | 10 | |
| Mahler: Sym 6: Songs of a Wayfarer: Minton: Cond Solti & Chicago SO | S | LONDON CSA 2227 | HOL | A | 10 | |
| Mahler: Sym 7: Cond. Kubelik & Bavarian RSO | S | DGG 2707 061 | GER | A | 15 | |
| Mahler: Sym 7: Cond. Solti & Chicago SO | S | LONDON CSA 2231 | ENG | A | 15 | |
| Mahler: Sym 8: Cond. Solti & Chicago SO | S | LONDON OSA 1295 | ENG | A | 15 | |
| Mahler: Sym 8: Cond. Solti & Chicago SO | S | LONDON OSA 1295 | HOL | A | 10 | |
| Mahler: Sym 9: Cond. Karajan & BPO | S | DGG 2707 125 | GER | A | 10 | |
| Mahler: Sym 9: Cond. Solti & LSO | S | LONDON CSA 2220 | ENG | A | 20 | |
| Massenet: Scenes Alsaciennes, Scenes Dramatiques, Marche des Pincesses (from Cendrillon): Cond. Bonynge & National Phil Orch - cut jacket | S | LONDON CS 7048 | ENG | A | 8 | |
| Mendelssohn: Sym 1, 5: Cond. Von Dohnanyi & Vienna PO, 1W stampers | S | LONDON CS 7038 | ENG | A | 10 | EM7 |
| Mendelssohn: Sym 3, Fingal's Cave, Fair Melusina Overtures, Excerpts from Midsummer Night's Dream, Adagio & Lento from String Quintet: Cond. Toscanini rec 1941, 45, 47 | M | DISCOCORP ATRA 3004 | USA | S | 25 | |
| Mendelssohn: Sym 4, The Hebrides & Calm Sea Overtures: Cond. Von Dohnanyi & Vienna PO - rare pressing | D | DECCA SXDL 7500 | ENG | A | 20 | |
| Mendelssohn: Sym 5, Hebriden Overture: Cond. Haitink & LPO | S | PHILIPS 9500 713 | HOL | A | 5 | |
| Mendelssohn: Sym 5, Hebriden- Overture: Cond. Haitink & London PO | S | PHILIPS 9500 713 | HOL | A | 6 | |
| Mendelssohn: Sym.1, 2: Hansmann, Kmentt, Donath, Cond. Sawallish & New Phil. Orch & Choir | S | PHILIPS 802 856/57 LY | HOL | A | 20 | |
| Mendelssohn: Syms 4, 5: Cond. Maazel & Berlin PO - tulip label | S | DGG SLPM 138 684 | GER | A | 12 | GY7 |
| Mussorgsky: Pictures - Ravel, Night on Bald Mountain - R-K: Cond. Slatkin & St. Louis SO - some printing on back | S | TURNABOUT QTV-S 34633 | USA | A | 10 | |
| Mussorgsky: Pictures at an Exhibition, Ravel arr.: Cond. Muti & The Philadelphia Orch. 45 rpm , hole in jacket, slight bend in LRH corner | S | ANGEL SS-45004 | USA | A | 12 | |
| Offenbach: Gaite Parisienne, etc: Cond. Rosenthal & MonteCarlo | S | EMI ASD 3311 | ENG | A | 15 | ER3 |
| Offenbach: Le Papillon: Cond. Bonynge & London SO | S | LONDON CS 6812 | ENG | A | 10 | ER7 |
| Rachmaninoff: Sym 2, Prelude in C sharp - arr. Stokowski: Cond. Stokowski rec 1946, 60 | M | DISCOCORP LSSA 228 | USA | S | 30 | |
| Rachmaninov: Sym 2: Cond. Loughran & Halle Orch - times written on back | S | EMI CFP 40065 | ENG | A | 10 | |
| Rachmaninov: Sym 3, Vocalise: Cond. Stokowski & National PO, rec May 1975 | S | DESMAR DSM 1007 | USA | S | 15 | |
| Ravel: Vol 4: Le Tombeau de Couperin, Menuet Antique, Alborada del Gracioso, Une Barque sur L'Ocean, Pavane pour une Infante Defunte: Cond. Cluytens & Paris Conservatoire Orchestra - overall noisy surfaces with a scratch through 1st movement of Couperin | S | EMI SAX 2479 | ENG | C | 20 | ES1 |
| Rimsky-Korsakov: Fairy Tale, Christmas Eve Suite, Ov on Russian Themes: Cond. Othmar Maga & Bochum Sym | S | TURNABOUT QTV 34736 | USA | A- | 8 | |
| Rimsky-Korsakov: Scenes from ther Opera Mlada: Cond. Svetlanov & Moscow Radio Choir & Orch | M | MELODIYA D 12683 | RUS | A | 12 | EB1 |
| Rimsky-Korsakov: Scheherazade: Cond. Karajan & BPO - tulip label | S | DGG SLPM 139 022 | GER | A | 12 | GY7 |
| Rimsky-Korsakov: Sym 2, Russian Easter Festival Overture: Cond. Zinman & Rotterdam PO | D | PHILIPS 9500 971 | HOL | A+ | 10 | |
| Rimsky-Korsakov: The Invisible City of Kitezh (Suite), Mlada Orch Suite, May Night Ov: Cond. Kapp & Philharmonia Hungarica | S | TURNABOUT QTV 34689 | USA | A- | 8 | |
| Rossini: Overtures: Cond. Reiner & Chicago SO - timings printed on back | S | RCA LSC 2318 | USA | A | 60 | UR2 |
| Rossini: Overtures: Ermione, Torvaldo e Dorliska, Bianca e Faliero, Otello, Demetrio e Polibio, Edoardo e Cristina: Cond. Marriner & ASMF | S | PHILIPS 9500 886 | HOL | A | 6 | |
| Rossini: String Sonatas: 2, 3, 4, 5: Cond. Maksymiuk & Polish ChO - hole in jacket | S | EMI ASD 3464 | ENG | A | 15 | ER3 |
| Saint-Saens: Danse Macabre, La Jeunesse D'Hercule, Phaeton, Le Rouet D'Omphale: Cond. Dervaux & Orchestre de Paris - times written on back | S | EMI CSD 3729 | ENG | A | 15 | EG3 |
| Schubert: 10 Symphonies: Marriner & A.S.M.F. | D | PHILIPS 412 176 | HOL | A | 35 | |
| Schubert: 9: Cond. Mengelberg & Concertgebouw Orch of Amsterdam | M | FONTANA FCM 18 | JAP | A | 12 | |
| Schubert: Sym 3, 5: Cond. Karajan & Berlin P.O. | S | EMI ASD 3860 | ENG | A | 10 | ER4 |
| Schubert: Sym 4: Cond. Kurt Woss & The Austrian Sym Orch | M | REMINGTON R 199 37 | USA | A- | 7 | |
| Schubert: Sym 9: Cond. Furtwängler & Berlin PO | M | TURNABOUT TV 4364 | USA | A | 12 | |
| Schubert: Sym 9: Cond. Furtwängler & Berlin PO | M | TURNABOUT TV 4364 | USA | A- | 10 | |
| Schubert: Sym 9: Cond. Furtwangler & Berlin PO, rec 1951 | M | HELIODOR 88 006 | GER | A | 16 | |
| Schubert: Sym 9: Cond. Mengelberg & Concertgebouw, rec 1939, 40 | M | PHILIPS PHM 500-041 | USA | S | 20 | |
| Schubert: Symphonies & Italian Overtures: Cond. Denis Vaughan & The Orch of Naples, Insert incl. 5 recs | S | RCA LSC 6709 | USA | A/A- | 60 | UR6 |
| Schumann: 4 Sym, Overture, Scherzo and Finale, Manfred Ov: Cond. Sawallisch & Dresden State Orch | S | EMI SLS 867 | ENG | A- | 40 | ER3 |
| Schumann: Sym 1-4: Cond. Inbal & New Phil Orch. -hole in spine- | S | PHILIPS 6703 031 | HOL | A | 18 | |
| Schumann: Sym 1-4: Cond. Karajan & Berlin Phil. | S | DGG 2740 129 | GER | A | 15 | |
| Schumann: Sym 2; Genoveva Ov: Cond. Kubelik & Berlin PO | S | DGG SLPM 138 955 | GER | A | 12 | GY7 |
| Schumann: Sym 3: Cond. Tennstedt & Berlin P.O. | S | EMI ASD 3724 | ENG | A | 15 | ER3 |
| Schumann: Sym: 1-4, Ov Scherzo & Finale, Manfred Ov: Cond. Sawallisch & Dresden State Orch - B&W STAMP | S | EMI SLS 837 | ENG | A | 45 | |
| Shubert: Sym 8, Inc. Music to Rosamunde: Cond. Kletzki & The Royal PO - times written on back | S | EMI CFP 123 | ENG | A | 10 | |
| Sibelius: 7 Symphonies: Cond. Wantanabe & The Japan Philharmonic | S | EPIC BSC 157 | USA | A | 50 | |
| Sibelius: Finlandia, Valse triste, Tuonela, Tapiola: Cond. Karajan & BPO -tulip label | S | DGG SLPM 139 016 | GER | A- | 12 | |
| Sibelius: Finlandia, Valse triste, Tuonela, Tapiola: Cond. Karajan & BPO -tulip label | S | DGG SLPM 139 016 | GER | B+ | 8 | GY7 |
| Sibelius: Karelia Suite, Valse Triste, En Saga, Pohjola's Daughter: Cond. Davis & BSO | S | PHILIPS 9500 893 | HOL | A | 5 | |
| Sibelius: Pelleas & Melisande, Romance in C maj, Sad Waltz: Cond's.Rozhdestvensky & Chamber Ens of Leningrad State Phil Society with Krasnov-Flute, Soloviev-Viola, Ginovker-Cello | S | MELODIYA C 1257 | RUS | A- | 8 | |
| Sibelius: Sym 1, Karelia Suite: Cond. Maazel & Vienna PO - earlier ffrr | S | LONDON CS 6375 | ENG | A | 15 | EM5 |
| Sibelius: Sym 1, Karelia Suite: Cond. Maazel & Vienna PO - ffss | S | LONDON CS 6375 | ENG | A | 25 | EM2 |
| Sibelius: Sym 1: Cond. Gibson & Scottish NO - times written on back | S | EMI CFP 40055 | ENG | A | 10 | |
| Sibelius: Sym 2: Cond. Gibson & Scottish NO - times written on back | S | EMI CFP 40047 | ENG | A | 10 | |
| Sibelius: Sym 2: Cond. Maazel & Vienna PO | S | LONDON CS 6408 | ENG | A | 10 | EM7 |
| Sibelius: Sym 5: Cond. Karajan & Berlin.P.O. | S | EMI ASD 3409 | ENG | A | 15 | ER3 |
| Sibelius: Sym 7, Finlandia, Love Suite: Cond's.Rozhdestvensky & Hannikainen with Moscow Radio SO | M | MELODIYA D 11339 | RUS | A+ | 10 | |
| Sibelius: Sym: 3, 6: Cond. Maazel & Vienna Phil. | S | DECCA JB 44 | ENG | A | 12 | |
| Sibelius: Tempest Suites 1, 2; Scaramouche: Cond. Jalas & Hungarian State SO | S | LONDON CS 6824 | ENG | A- | 8 | ER7 |
| Srauss: Till Eulenspiegel, Don Jaun: Cond. Mackerras & The London Phil. Orch - times written on back | S | EMI CFP 40042 | ENG | A- | 7 | |
| Strauss Jr, Johann: Fledermaus, Gypsy Baron: Cond. Fiedler & Boston Pops Orch | S | RCA LSC 2130 | USA | A- | 15 | UR7 |
| Strauss, R: Symphony in D Min, Interludio, Kampf und Sieg: Cond. Schermerhorn & Hong Kong PO | D | MARCO POLO 6.220323 | GER? | A- | 10 | |
| Strauss: Also Sprach Zarathustra: Cond. Susskind & St. Louis SO - light ring wear to cover | S | TURNABOUT QTV-S 34584 | USA | A- | 8 | |
| Strauss: Polkas & Overtures: Cond. Guschlbauer & London PO - times written on back | S | EMI CFP 40048 | ENG | A | 10 | |
| Strauss: Salome (dance of the seven Veils), Till Eulenspiegel, Don Jaun, Rosenkavalier Waltzes: Cond. Schippers & Cincinnati SO - some printing on back | S | TURNABOUT QTV-S 34666 | USA | A- | 10 | |
| Strauss: Tales, Radeczky March, Acceleration, etc: Cond. Knappertsbusch & Vienna PO | S | LONDON STS 15264 | ENG | A | 20 | |
| Strauss: Till Eulenspiegel's Merry Pranks, Dance of the 7 Veils, Tod Und Verklarung: Cond. Karajan & Vienna PO - tape on jacket | S | DECCA SDD 211 | ENG | A-/B+ | 10 | |
| Suppe: 4 Overtures: Cond. Solti & Vienna PO | S | LONDON CS 6146 | ENG | A- | 8 | EM7 |
| Suppe: Famous Overtures: Light Cavalry, Pique Dame, Poet & Peasent, The Beautiful Galathea, Morning noon and night in Vienna, Boccaccio: Cond. Marriner & London PO | S | PHILIPS 9500 399 | HOL | A | 6 | |
| Suppe: Overtures: Light Cavalry, Morning, Noon & Night in Vienna, Dame de Pique, Beautiful Galathea, Jolly Robbins, Poet & Peasant: Cond. Karajan & BPO | S | DGG 2530 051 | GER | A- | 8 | GY8 |
| Suppe: Overtures: Light Cavalry, Morning, Noon & Night in Vienna, Dame de Pique, Beautiful Galathea, Jolly Robbins, Poet & Peasant: Cond. Karajan & BPO | S | DGG 2530 051 | GER | A- | 6 | GT2 |
| Tchaikovsky: 1812 Overture, Capriccio Italian, Marche Slave: Cond. Alwyn & London SO - early grooved label | S | DECCA SDD 112 | ENG | B+ | 10 | |
| Tchaikovsky: 1812 Overture, Capriccio Italian: Cond. Dorati & MSO (early Canadian pressing, FR1\FR8 stamper) | S | MERCURY SR 90054 | CAN | A | 10 | |
| Tchaikovsky: 1812 Overture, Nutcracker Suite: Cond. Sharples & London Festival Orch | S | DECCA PFS 4044 | ENG | A- | 12 | |
| Tchaikovsky: 1812 Overture, Romeo & Juliet: Cond. Abravanel & Utah SO | S | TURNABOUT QTV-S 34554 | USA | A | 10 | |
| Tchaikovsky: 1812, Marche Slave, Romeo & Julet, Sleeping Beauty Waltz: Cond. Sargent & Royal Phil. Orch. | S | EMI SXLP 20023 | ENG | A- | 10 | |
| Tchaikovsky: 1812, Slavonic March, Francesca da Rimini: Cond. Haitink & Concertgebouw Orch | S | PHILIPS 6500 643 | HOL | A | 6 | |
| Tchaikovsky: 1812, Slavonic March, Moscow Cantata: Cond. Rozhdestvensky - blue Melodiya label | S | MELODIYA C 959 | RUS | A | 10 | |
| Tchaikovsky: Complete Orch Music Vol.1: Sym's 1, 3, 5: Cond. Abravanel & Utah SO - insert incl. | S | VOX QSVBX 5129 | USA | A- | 21 | |
| Tchaikovsky: Complete Orch Music Vol.2: Sym's 2, 4, 6, Marche Slave: Cond. Abravanel & Utah SO - insert incl. | S | VOX QSVBX 5130 | USA | A- | 21 | |
| Tchaikovsky: Francesca da Rimini, Hamlet: Cond. Stokowski & New York PO | S | EVEREST SDBR 3011 | USA | A | 10 | |
| Tchaikovsky: Manfred Sym: Cond. Ashkenazy & New Philharmonia Orch, times written on back of jacket | S | LONDON CS 7075 | ENG | A | 10 | EM8 |
| Tchaikovsky: Manfred Sym: Cond. Maazel & Vienna PO, 1W stampers | S | LONDON CS 6786 | ENG | A- | 8 | ER7 |
| Tchaikovsky: Nutcracker Suites: Cond. Bonynge & National Phil. Orch. | S | LONDON CS 6890 | ENG | A | 7 | |
| Tchaikovsky: Opera Music: The Voyevoda (Ov, Entr'acte, Dances of the Maids), The Oprichnik (Ov & Dance), Mazeppa (Intro & Cossack Dance): Cond. Furst & Bamberg Sym | S | TURNABOUT QTV-S 34548 | USA | A | 10 | |
| Tchaikovsky: Romeo & Juliet, Fatum, The Tempest: Cond. Dorati & Nat. SO of Washington, DC, W stampers | S | LONDON CS 6891 | ENG | A- | 10 | ER7 |
| Tchaikovsky: Seranade for Strings, Souvenir de Florence: Cond. Marriner & ASMF | S | DECCA JB 131 | HOL | A | 8 | |
| Tchaikovsky: Six Symphonies and Manfred: Cond. Rostropovitch & London PO - 7 rec's | S | EMI SLS 5099 | ENG | A+/A | 85 | ER3 |
| Tchaikovsky: Suite 3: Cond. Kondrashin & SO of the Moscow Phil Society | M | MELODIYA D 10041 | RUS | A | 8 | |
| Tchaikovsky: Suite 3: Cond. M. Tison Thomas & Los Angeles Phil - white promo label | S | COLUMBIA M 35124 | USA | A | 12 | |
| Tchaikovsky: Suite 3: Cond. Maazel & Vienna PO | S | LONDON CS 7080 | ENG | A- | 8 | EM8 |
| Tchaikovsky: Swan Lake & Nutcracker Ballet Suites: Cond. Sawallisch & The Philharmonia Orchestra - times written on back | S | EMI CFP 40002 | ENG | A | 10 | |
| Tchaikovsky: Sym 1 "Winter Reveries": Cond. Maazel & Vienna PO - earlier ffrr | S | LONDON CS 6426 | ENG | A- | 10 | EM4 |
| Tchaikovsky: Sym 3: Cond. Svetlanov & USSR State SO | S | MELODIYA C 1547 | RUS | A | 8 | |
| Tchaikovsky: Sym 4, 6: Cond. S. Koussevitsky rec 1946 | M | DISCOCORP SID 730 | USA | A- | 30 | |
| Tchaikovsky: Sym 4, Romeo & Juliet - Fantasy Ov: Cond. Mengelberg & Concertgebouw Orch - rec 1929, 30 - test pressing | M | DISCOCORP RR 424 | USA | A- | 12 | |
| Tchaikovsky: Sym 4: Cond. Mengelberg & Concertgebouw Orch. | M | ANGEL GR 2191 | JAP | A | 12 | |
| Tchaikovsky: Sym 5 with Berlin PO, 6 with Concertgebouw Orch of Amsterdam: Cond. Mengelberg - rec 1941/42 | M | TELEFUNKEN KT 11010 | GER | S | 40 | |
| Tchaikovsky: Sym 5 with Berlin PO, 6 with Concertgebouw Orch of Amsterdam: Cond. Mengelberg - rec 1941/42 | M | TELEFUNKEN KT 11010 | GER | A- | 25 | |
| Tchaikovsky: Sym 5, Ser for Strings excs: Cond. Mengelberg & Concertgebouw Orch - rec 1939, 1938 - test pressing | M | DISCOCORP RR 425 | USA | A- | 12 | |
| Tchaikovsky: Sym 5: Cond. Ashkenazy & Philharmonia Orch, hole in jacket | S | LONDON CS 7107 | ENG | A- | 8 | EM8 |
| Tchaikovsky: Sym 5: Cond. Furtwängler & Italian Radio Orch - private rec from 1952, live performance, mark on side doesn't sound | M | DIS 3702 | USA | A- | 20 | |
| Tchaikovsky: Sym 5: Cond. Gibson & Scottish NO - small cut in spine | S | EMI CFP 40054 | ENG | A | 10 | |
| Tchaikovsky: Sym 5: Cond. Mengelberg & Berlin PO - rec July 11, 1940 | M | TELEFUNKEN TH 97001 | USA | A- | 8 | |
| Tchaikovsky: Sym 5: Cond. Mengelberg & Concertgebouw Orch, rec 1928 | M | DISCOCORP RR 421 | USA | A- | 16 | |
| Tchaikovsky: Sym 6 "Pathetique": Cond. Maazel & Vienna PO - jacket cut | S | LONDON CS 6408 | ENG | A- | 6 | EM7 |
| Tchaikovsky: Sym 6: Cond. Ashkenazy & Philharmonia Orch, hole in jacket | S | LONDON CS 7170 | HOL | A | 6 | HR1 |
| Tchaikovsky: Sym 6: Cond. Furtwängler & Berlin PO - pink Melodiya label - rec 1938 | M | MELODIYA D 20049 | RUS | A | 15 | |
| Tchaikovsky: Sym 6: Cond. Furtwängler & Berlin PO, rec 1951 | M | DGG 2535 165 | GER | A | 12 | |
| Tchaikovsky: Sym 6: Cond. Karajan & Berlin PO | S | DGG 2530 774 | GER | A | 6 | GY9 |
| Tchaikovsky: Sym 6: Cond. Mengelberg & Berlin PO - rec April 22, 1941 | M | TELEFUNKEN TH 97002 | USA | A- | 12 | |
| Tchaikovsky: Sym in E flat, edited by Bogatyryov: Cond. Ginzburg & USSR State SO | M | MELODIYA D 10683 | RUS | A | 8 | OB6 |
| Tchaikovsky: The Sleeping Beauty Suite: Cond. Weldon & The Philharmonia Orch - times written on back | S | EMI CFP 133 | ENG | A | 10 | |
| Tchaikovsky: Violin Con with Szeryng, Piano Con 1 with Gilels: Cond. Munch & Boston SO | S | RCA VL 89043 | GER | A | 12 | |
| Verdi: Ballets from Otello, Don Carlos, I Vespri: Cond. Maazel & Cleveland Orch, mark on side 2 does not sound | S | LONDON CS 6945 | ENG | A | 10 | EM7 |
| Verdi: Overtures: Cond. Dorati & LSO | S | MERCURY SR 90156 | CAN | A | 15 | |
| Verdi: Overtures: Cond. Dorati & LSO (early Canadian pressing, FR3\FR4 stamper) | S | MERCURY SR-C 90156 | CAN | A- | 10 | |
| Verdi: Overtures: Cond. Dorati & LSO -color back jacket, FR2/FR2 | S | MERCURY SR 90156 | USA | A- | 20 | UM7 |
| Wagner: Flying Dutchman Ov. Tannhauser Ov, Die Meistersinger Prelude, Tristan & Isolde Prelude & Liebestod: Cond. Solti & Chicago SO, hole and bend in jacket | S | LONDON CS 7078 | ENG | A | 10 | EM8 |
| Wagner: Overtures & Preludes: Rienzi, Lohengrin, Die Meistersinger, Parsifal, Die Walkure: Cond. Semkow & St. Louis SO - some printing on back | S | TURNABOUT QTV 34719 | USA | A- | 8 | |
| Wagner: Overtures and Marches: Cond. Janowski & London SO - Odeon sticker on label, times written on back | S | EMI ASD 2837 | ENG | A | 15 | ER8 |
| Wagner: Overtures: Rienzi, Tannhauser, Meistersinger, Parsifal: Cond. Bohm & Vienna PO | S | DGG 2531 214 | GER | A | 10 | |
| Wagner: Preludes: Meistersinger, Tristan, Parsifal, Lohengrin: Cond. Haitink & Concertgebouw | S | PHILIPS 6500 932 | HOL | A | 6 | |
| Wagner: Siegfried Idyll: Cond. Knappertsbusch; Franck: Sym: Cond. Furtwängler: Vienna PO | M | LONDON R 23207 | ENG | A | 10 | |
| Wagner: Tannhauser: Ov, Prelude to act 3, Ov & Bacchanale, Dich teure Halle: Cond. Toscanini & NBC SO | M | A TOSCANINI ATS 1061 | USA | A- | 10 | |
| Wagner: Tristan und Isolde (Prelude & Liebestod), Tannhauser (Ov & Venusberg music) Paris Version: Cond. Skrowaczwski & Minnesota Orch - printing on back | S | TURNABOUT QTV-S 34642 | USA | A | 12 |